Overview
A matched stereo pair that makes drum overheads, choirs, acoustic guitar, piano and strings sound open and true to life. Each mic comes with both cardioid and omni capsules, so you're set up for any stereo technique straight out of the box.
Built-in high-pass and low-pass switches let you clean up rumble or soften harsh cymbals right at the mic, which saves a lot of fiddling at the desk. Stand mounts and windscreens for both mics are included, and optional -10 dB pads are available for very loud drummers.
Highlights
- Matched pair for overheads, choirs, acoustic guitar and piano
- Cardioid and omni capsules included for both mics
- Low cut and high cut switches clean up the sound at the mic
- Natural, detailed sound that suits live and studio
- Stand mounts and windscreens included
Specifications
| Type | Small diaphragm FET condenser, matched pair |
| Capsules | Interchangeable cardioid and omni |
| Frequency response | 20 Hz to 20 kHz |
| Max SPL | 130 dB |
| Low cut | Flat / 50 Hz / 120 Hz |
| High cut | Flat / 15 kHz / 10 kHz |
| Power | 48 V phantom |
| Connector | 3-pin XLR |
| In the box | 2 x mics, 2 x cardioid capsules, 2 x omni capsules, 2 x stand mounts, 2 x windscreens |
Forefront Tip
For a church choir or a drum kit, start with the cardioid capsules in ORTF on a stereo bar (17 cm apart, angled 110 degrees). Swap to omni in a nice sounding room for a bigger, more natural image.
