Overview
One kick mic that gives you both the deep boom and the click of the beater, so you don't need two mics and their phase headaches. It sits inside the drum through the port hole or mounted in the shell, and keeps the low end tight rather than muddy.
It takes well over 142 dB without breaking a sweat, the swivel mount rotates to any angle, and low cut and high cut switches let you dial punch versus attack at the mic. Padded bag included.
Highlights
- Deep boom and beater click from a single mic
- Sits inside the kick for a tight, controlled low end
- Handles more than 142 dB SPL
- Low cut and high cut switches dial punch versus attack
- Swivel mount and padded bag included
Specifications
| Type | FET condenser |
| Polar pattern | Cardioid |
| Frequency response | 20 Hz to 20 kHz |
| Max SPL | 142 dB |
| Low cut | Flat / 80 Hz / 140 Hz |
| High cut | Flat / 12 kHz / 5 kHz |
| Power | 48 V phantom |
| Connector | 3-pin XLR |
| Size and weight | 125 x 50 mm, 290 g (mic only) |
| In the box | Kick Mic, swivel mount, padded bag |
Forefront Tip
Start halfway inside the shell pointing at the beater for a balance of click and boom, then slide it back towards the port for more low end. One good kick mic beats two average ones on a busy stage.