Overview
The Austrian Audio CC8 is a cardioid small diaphragm true condenser microphone, hand built in Vienna around the OCC7 capsule, which takes its inspiration from the classic CK1. The transformerless output gives a linear response that sounds natural and open without getting harsh, even at high levels.
With a switchable pad it handles up to 156 dB SPL, so it works on drum overheads, hi-hats and brass as well as acoustic guitar, piano, strings and woodwinds. Every CC8 is measured to within ±0.5 dB sensitivity at 1 kHz, so any two can be paired. It suits studios, churches, schools, theatres and live engineers. Supplied with the OCH8 clip, CCW8 windshield and MSC8 case.
Highlights
- OCC7 small diaphragm capsule inspired by the CK1
- Natural, open sound with smooth mids and highs
- Up to 156 dB SPL with the pad engaged
- -10 and -20 dB pad, 60 or 120 Hz low cut
- Matched to ±0.5 dB, so any two CC8s can be paired
- Hand built in Vienna
- Includes clip, windshield and case
Specifications
| Type | Small diaphragm true condenser |
| Capsule | OCC7 |
| Polar pattern | Cardioid |
| Frequency range | 20 Hz to 20 kHz |
| Sensitivity | 15 mV/Pa |
| Equivalent noise | 16 dB SPL(A) |
| Max SPL | 146 dB SPL (156 dB SPL with pad) |
| Low cut | 60 Hz or 120 Hz |
| Pad | -10 dB, -20 dB |
| Phantom power | 48 V |
| Connector | XLR 3 pin |
| Dimensions | 140 x 23 x 23 mm |
| Weight | 140 g |
| Included | OCH8 clip, CCW8 windshield, MSC8 case |
Forefront Tip
For drum overheads, set up two CC8s in an ORTF or spaced pair and switch in the 120 Hz low cut to keep the kick and toms out. On choirs or acoustic ensembles in a church, a pair at the front edge of the stage gives a natural picture for streaming and recording.
